Miguel del AguilaCOMPOSER
“…One of the West Coast’s most promising and enterprising young composers… sonically dazzling… a whirlwind of energy and ideas… a mischievous mix of personalized romanticism and structural self-derailment …a sly radical in formal wear…”
– Los Angeles Times
“one of the most intriguing compositional voices to come along in recent years”
– San Antonio Express News
NEW MUSIC BOX
Sounds Heard Interview: Miguel del Aguila – Salón Buenos Aires
by Frank J. Oteri
MÚSICA EN CLAVE
Reflexiones sobre una conversación con el compositor Miguel del Aguila
by Hermann Hudde
World premiere of Miguel del Aguila’s The Fall of Cuzco
by Russell Johnston
NEW YORK TIMES
Conga premiere review: Four Unknown Works, Four Different Styles
by Bernard Holland
LNP LANCASTER ONLINE
Lancaster Symphony 2008 Composer of the Year Award Winner Interview: Composer Award winner deeply rooted in Latin America and its music.
by Jane Holahan
SUBMERGED in London
Aurora Trio performs Submerged at Thames Concerts in London
TRASOCEANICA in Brazil
Garrick Zoetter performs clarinet quartet Transoceanica at RioWinds Festival
PRESTO II in Paris
Cuarteto Latinoamericano performs Presto II at Semaine de l’Amerique Latine festival in Paris
SUNSET SONG in Japan
Akihiko Kondo performs Sunset Song in Japan ミゲル・デル・アギーラ
american composers latin latinx hispanic contemporary classical music
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Three-time Grammy nominated American composer Miguel del Aguila was born in Uruguay in 1957. In over 130 works that combine drama, driving rhythms and nostalgic nods to his South American roots, he has established himself among the most distinctive and highly regarded composers of his generation. His music, which enjoys over 200 performances annually, has been hailed as “brilliant and witty” (New York Times), “sonically dazzling” (Los Angeles Times) and “expressive and dramatic” (American Record Guide). Recorded on more than 55 CDs, his music has been performed by over 100 orchestras throughout the Americas and Europe, including the Chicago Symphony and Chicago Philharmonic, Norwegian Radio Orchestra, and Los Angeles Chamber Orchestra; the Kiev, Odessa, Heidelberg, Royal Liverpool, Buffalo, Louisiana and Ciudad de México Philharmonics; and the Welsh BBC, Toronto, Nashville, Seattle, Albany, San Antonio, Long Beach, Fort Worth, Santa Barbara, Caracas and São Paulo Symphonies, and the Orchestra of the Americas.
Conductors who have performed del Aguila’s works include Leonard Slatkin, JoAnn Falletta, Giancarlo Guerrero, Marin Alsop, Carlos Miguel Prieto, Lukas Foss, Gerard Schwarz, Jorge Mester, Guillermo Figueroa, David Allan Miller, Miguel Harth-Bedoya, Andrew Litton, Eckart Preu, Dirk Meyer, and José Arean.
Notable among over a thousand chamber ensembles performing his works are the Sphinx Virtuosi, Windscape, Pittsburgh New Music Ensemble, SOLI, New Juilliard Ensemble, Eroica Trio, Philadelphia Chamber Ensemble, Collegium Novum Zürich, Imani Winds, Fifth House, Cuarteto Latinoamericano, and the Pacifica and Verona string quartets.
Festivals performing his music include Aspen, Cabrillo, Chautauqua, Ravinia, Oregon Bach Festival, Minnesota Orchestra Sommerfest, Bregenz Festspiele, Wiener Festwochen, Budapest Spring, Cervantino, and Prague Spring. In addition to his three Latin Grammy nominations, del Aguila has received a Kennedy Center Friedheim Award, a Magnum Opus/Kathryn Gould Award, grants from The Composer New Music USA/Music Alive and the Copland Foundation, and the Lancaster Symphony Composer of the Year award. He has held extensive composer residencies with the Orchestra of the Americas (2020); the Danish Chamber Players/Ensemble Sorstrøm (2021); the Chautauqua Institution Music Festival (2001-2004); and a two-year residency with the New Mexico Symphony provided by a Meet the Composer/Music Alive Award, resulting in the fully staged premiere of his opera Time and Again Barelas (2007). Del Aguila serves as a member of the Barlow Endowment’s Board of Advisors. After graduating from San Francisco Conservatory, del Aguila studied at Vienna’s Universität für Musik. Early premieres in the Musikverein and Konzerthaus were followed by performances in the U.S. in Weill Hall at Carnegie Hall and The Brooklyn Philharmonic conducted by Lukas Foss. Soon after he settled in Southern California in 1992, the Los Angeles Times praised him as “one of the West Coast’s most promising young composers.” After many years in California, where he taught composition and for three years served as music director of the Ojai Camerata, del Aguila moved to Seattle. - www.migueldelaguila.com